Performing Objects

PROFILE
Open to professionals, artists, and creatives of all ages & genders

WHEN
2024 March 4-29

LOCATION
Budapest, Hungary

PRICE
1000 €

focus

Sculpture Theatre & Performing Objects: The performativity of things
Exploring the Intersection of Theater and Exhibition Space
Developing the narrative, performative, and choreographic potential of objects

about

The history of performance art has long been characterized by principles of ephemerality, action, gesture, and the centrality of the human body. However, in recent decades, we have witnessed a shift as artists, such as Emily Mast or Ragnar Kjartansson, increasingly incorporate elements of installation and object-making into their live art practice, blurring the boundaries between spaces (theater and museum), and modes of expression (performance and visual art). This phenomenon raises questions about the nature of performance, the autonomy of art objects, and the evolving relationship between audience and artwork.

The exhibition "Ne pas jouer avec des choses mortes / Not playing with dead things" (2009) sought to interrogate the status and relevance of these hybrid objects within the context of contemporary art. Do they retain their vitality and energy beyond the moment of performance? Or do they become mere relics, devoid of meaning and life? Through an exploration of works by artists such as Guy de Cointet, Paul McCarthy or Mike Kelley, the exhibition aimed to shed light on the shifting landscape of performative art practices.

Against this backdrop, our "Performance & Object" Masterclass Program offers a unique opportunity to delve into the complexities of theater and exhibition space, sculpture-theatre and performing objects. This month-long exploration of the narrative, performative, and choreographic dimensions of "things", designed and led by interdisciplinary artist and choreographer Anna Ádám, focuses on five key aspects:

Blurring Boundaries: We will explore how to blur the boundaries between traditional theater and visual art, creating immersive experiences that challenge conventional categorizations. We will incorporate elements of performance, installation, and audience interaction into works, creating dynamic and multifaceted environments.
Narrative Experimentation: We will experiment with narrative structures and storytelling techniques, utilize text, dialogue, and character development to construct narratives that unfold within the exhibition space, inviting viewers to engage with the work both visually and conceptually.
Site-Specificity: We will create site-specific works that respond directly to the architectural and spatial characteristics of the venue. We will consider the physical environment as an integral part of the artwork, utilizing space, light, and sound to enhance the theatricality of the experience.
Audience Engagement: We will prioritize audience engagement and participation in the work we create. We will invite viewers to become active participants in the performance, blurring the line between performer and spectator and encouraging a sense of agency and immersion.
Conceptual Depth: We will explore complex themes and ideas related to inner blocks and invisible barriers, culminating in the inaugural dance performance "CLASH" on March 4th.

Through this Masterclass, participants will embark on a journey of research, experimentation, and collaboration, pushing the boundaries of what is possible within the intersection of theater and exhibition space.
Join us as we celebrate the beginning of this month-long exploration of hybrid performative art practices.

schedule

MARCH 4-8: INTRODUCTION & INSPIRATION
VENUE: LIGET GALLERY, BUDAPEST, HUNGARY
FOCUS: REPERTOIRE, DANCE & PERFORMANCE

Immerse yourself in the dynamic narrative of "CLASH," one of the solos from Anna Ádám's repertoire, "sorry not sorry." Join us for a week-long somatic experience that defies boundaries, blurring the lines between live art and static objects. Through a fusion of dance and eatable objects, participants will traverse a hybrid realm where the vitality of performance seamlessly merges with the stillness of sculptures. Explore the interplay between movement, objects, and the human experience in this immersive and transformative journey.

MARCH 11-15: CREATION
VENUE: LIGET GALLERY, BUDAPEST, HUNGARY
FOCUS: CRAFTING OBJECT, CHOREOGRAPHING PERFORMANCE

In Week 2, participants embark on a creative journey, crafting new artworks or enhancing existing pieces. They explore performative, narrative, and choreographic dimensions, devising protocols and scripts to activate their pieces. This transformative process blurs the lines between sculpture and prop, breathing new life into each creation.

MARCH 18-22: PRESENTATION
VENUE: LIGET GALLERY, BUDAPEST, HUNGARY
FOCUS: REHEARSALS & PUBLIC SHOWCASE

In Week 3, participants curate and choreograph a hybrid space integrating exhibition and performance. Sculptures and objects are activated by dynamic performances, fostering a multi-dimensional experience inviting audience engagement. This innovative approach blurs boundaries, creating a captivating environment where art comes to life.

MARCH 25-29: REST
ONLINE
FOCUS: GROUNDING, GUIDED JOURNALING, PROCESSING

Experience 5 days of grounding journal prompts delivered to your mailbox, guiding you to explore your thoughts, emotions, and experiences with centeredness. Reconnect with yourself and gain clarity as you delve into each prompt, fostering self-discovery and reflection.