creative writing school
Module 10: Text & Performance Art
Ontogenic development of body representations | |
File Size: | 115 kb |
File Type: | jpg |
"A sensation of burning acid in the limbs, muscles twisted and raw, the feeling of being fragile like glass, a fear, a shrinking from movement, and the noise. An unconscious dismay of walking, gestures, movements. A perpetually tense will for the simplest actions, renouncing the simple gesture, a overwhelming and central fatigue, a kind of exhausting fatigue. Movements to be recomposed, a kind of deathly fatigue, fatigue of the mind for the simplest muscular tension, the gesture of taking, of unconsciously clinging to something, to support with an applied will.
A fatigue of the beginning of the world, the sensation of carrying one's body, a feeling of incredible fragility, which becomes a shattering pain, a state of painful numbness, a kind of numbness localized to the skin, which prohibits no movement but changes the internal feeling of a limb, and gives to the simple vertical stance the price of a victorious effort.
Probably localized to the skin, but felt like the radical suppression of a limb, and presenting to the brain only images of filamentous and cottony limbs, images of distant limbs and not in their place. A kind of internal rupture of the correspondence of all nerves.
A shifting vertigo, a kind of oblique dazzlement that accompanies every effort, a coagulation of heat that encircles the entire extent of the skull or is cut into pieces, patches of heat that move.
A painful exacerbation of the skull, a sharp pressure of the nerves, the neck stubbornly suffering, temples that vitrify or marble, a head trampled by horses."
Antonin Artaud: "The Umbilicus of Limbo", 1925